At 12 years old – the age most of us are aimlessly riding bikes or trying to avoid homework –
Mahalia was picking up a guitar and penning love songs. With her entrancing, soulful tones,
wise yet relatable wordplay and intuitive sense of melody, it quickly became clear that she
had a natural sense of musicality, and that she’d be doing this for the rest of her life.
Now 19 and based in Leicester, Mahalia is ready to fully unleash what she’s been brewing
into the world. In the time since she first picked up that guitar, she’s dropped a scattering of
releases – from 2012’s indie-flecked acoustic dream Head Space to 2015’s gorgeously
understated 4-track EP Never Change – which was premiered on i-D – and last year’s genre-
flipping mixtape Diary of Me, picking up praise from the likes of The Independent, MTV and
IDOL. In 2015, her unique voice caught the attention of Rudimental, who asked her to feature
on their easy-going summer anthem “We the Generation”, pushing her name to a wider
audience in the process. But for Mahalia, it feels as if she’s just getting started.
Her first official single, titled “Sober”, is a rich slice of R&B that recalls the likes of Erykah
Badu, Sade and Lauryn Hill, but sprinkled with originality and pushed into the present day.
“I’m sorry that there ain’t no time left, you and I are over, me and you are done,” she sings,
her warm tones melding into the illustrious, groove-laden beat, her words hitting straight to
the heart. The track is quintessentially Mahalia – encompassing the classic sounds of the
past while refusing to be hemmed in by one particular genre; her open-hearted lyricism
holding it all together like magic dust.
This unique sonic make up will undeniably see Mahalia produce a debut album that is her
defining artistic statement. “I don’t care what anyone else thinks – I’m writing an album. That’s
the next thing,” she says, “And I’d obviously love to tour the world. I just want to be making
music and to happy.”