Among South Florida’s legion of live music loyalists and millennial party-rockers, J. HOWARD is
already low-key famous. The multi-instrumentalist / singer / songwriter collects new fans faster
than his trusty Boss Audio Loop Pedal collects a new crowd-pleasing improvisation. It’s one of
the reasons promoters have summoned J. HOWARD as far north as AFROPUNK FEST
Brooklyn, and partly explains how an Ohio native could ultimately be tapped to curate the
popular MIAMI IN ATLANTA music showcase (Parts 1 & 2). It’s not often that a generation
produces an artist whose cosmic sense of style, showmanship and innate musicality transcends
culture, genre, and locale; thankfully, J. HOWARD’S time has come.